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Digital Cinema Technology Aug. 29, 2016
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NEC Display Solutions’ Digital Cinema Projector Series offers the most comprehensive digital cinema solution on the market today. These 3D-capable models enable theaters to deliver stunning digital images regardless of screen size, while simplifying theater management and reducing costs. All of NEC's digital cinema projectors meet DCI specifications for performance and reliability, meeting the requirements of today’s cinema industry. NEC also offers full digital signage solutions, highlighted by its award-winning 32”-98” LCD displays, multimedia projectors and desktop monitors for lobbies, concessions and concourses.
Arts Alliance Media (AAM) is a global leader in digital cinema software and services,  offering cutting-edge solutions in software as well as installation, maintenance and support across the cinema ecosystem.
QSC Cinema is the global leader in signal processing, power amplifiers, and loudspeakers for all cinema applications. Our “SystemSynergy” design approach ensures that the entire system, from source to sound, delivers an audio experience as intended by the filmmakers. Beyond cinema audio for the movies, QSC also provides complete audio systems with network control and monitoring for other areas in the cinema entertainment complex, such as lobbies, concession, food service, arcades, and bowling centers.
GetD Tech (HK) Co., Ltd is the global leading manufacturer of 3D products. We are devoted to R&D, manufacturing and sales of 3D systems and glasses supported by under a dedicated  team of 500 employees in a 6,000 ㎡ factory. GetD bears in mind that Technology Leads to Product. Cooperating with global leading TV manufacturers and cinema chains,  GetD is growing professional and stronger in the 3D industry. GetD is headquartered in Shenzhen China, with key partners in USA, Europe, Russia, Turkey and India.
Meyer Sound makes the finest loudspeakers for high-performance digital cinema applications, including VIP auditoriums and screening rooms.  Ideally suited for both feature movies as well as alternative content.  Meyer Sound is devoted to meeting the needs of exhibition, film post-production, music studios and sound reinforcement professionals with the finest audio systems available. 
USHIO manufactures the highest-quality digital cinema projection bulbs available. USHIO xenon short-arc lamps boast a spectrum that is closer to natural sunlight than that of any other artificial light source. In addition to commercializing products for search and spot lights, which demand precise, powerful white beam lamps, USHIO became the first in the world to develop a xenon short-arc lamp exclusively for large scale, theater-use movie projectors.
Cinema Equipment and Supplies offers a full range of state-of-the-art cinema products and services to outfit your theater with the latest and greatest in the most cost-effective manner. From 3D projection systems to 3D sound, TMS solutions to remote monitoring, CES has you covered. As global leaders in the industry, CES has factory-certified technicians that are fluent in English, Spanish, and Portuguese and have installed over 1,000 digital cinema systems in over 17 different countries.  
Christie is a leader in visual solutions for world-class organizations, offering diverse applications for business, entertainment, and industry. A leading innovator in film projection since 1929 and a pioneer in projection systems since 1979, Christie has established a global reputation as a total service provider and the world's single source manufacturer of a variety of display technologies and solutions. Christie offers comprehensive solutions for cinema, large audience venues, control rooms, business presentations, training facilities, 3D and Virtual Reality, simulation and education as well as industrial and government environments.
USL, Inc., a global supplier of quality cinema products, is celebrating its 30th year of pioneering technical advancements for the motion picture industry.  In 1997, USL received an Academy Technical Achievement Award for its PSA Light meter.  Today, USL engages in the research, development and manufacture of cinema audio equipment, cinema visual and audio test equipment, and digital cinema integrated media blocks.  USL’s equipment and products are used by major cinema circuits, independent theaters, production companies, and sound stages.  USL’s cinema equipment is sold and used in every country in the world.
Motion Picture Solutions is a leading international film services company, offering an end-to-end solution from post-production and mastering through to distribution, KDMs and screenings. MPS serves the motion picture community and its core business is digital cinema.   Digital cinema mastering has been at the heart of MPS’s business since 2006. The company localises and distributes film DCPs (digital cinema packages) for international studios, UK distributors, post-production and independent filmmakers. Its portfolio includes the seamless integration of accessibility services, streamlined 3D workflows, subtitle origination and GFX creation.     
Pioneer and world-leader in immersive motion for cinematic art and real-time synchronization, D‑BOX designs, manufactures and commercializes cutting-edge motion systems intended for the entertainment and industrial markets. This unique and patented technology uses motion effects specifically programmed for visual and audio content. Movies are more immersive and training simulations more effective than ever before
Cielo is true proactive monitoring and support. Customers can access Cielo from any device connected to the internet, giving them the freedom to manage the customer experience outside the confines of their offices. Customers have circuit wide visibility into their theater operations so they are able to solve problems more efficiently.
Barco, a global technology company, designs and develops networked visualization products for the Entertainment, Enterprise and Healthcare markets. Barco has its own facilities for Sales & Marketing, Customer Support, R&D and Manufacturing in Europe, North America and APAC. Barco (NYSE Euronext Brussels: BAR) is active in more than 90 countries with 3,300 employees worldwide. Barco posted sales of 1.029 billion euro in 2015. 
Moving Image Technologies manufacturers and markets a full complement of cinema exhibition equipment and services to support the industry’s transition to digital cinema, including: custom engineering, systems design, integration, digital technology solutions for 3D, digital cinema, pre-feature on-screen advertising and components. Moving Image Technologies’ mission is to have the most talented, passionate people in cinema working to provide the best presentation tools for the cinema exhibition industry.
Bardan Cinema has been a leader in cinema equipment sales in Latin America and the Caribbean for over 40 years. With a well-established reputation and broad customer base that spans independent boutique theaters to large multiplexes, Bardan provides total solutions and services ranging from cinema design, equipment sales, installation, monitoring and VPF implementation. In collaboration with D-Cinema NOC, Bardan now offers comprehensive 24/7/365 proactive monitoring and remote support to exhibitors throughout the region.
Unique Digital Limited, based in Dublin and London, has developed a suite of leading software solutions for the management and delivery of digital cinema content, including a full featured Theatre Management System (RosettaBridge TMS), content delivery system (Movie Transit), advertising back office system (Advertising Accord), KDM delivery solution (Basekey), and VPF management software (Cinema Accord).  Unique Digital Software Limited, based in Manchester, is a subsidiary of Unique Digital Limited and handles mastering and distribution business in the UK and Ireland on behalf of Unique Digital Limited.
Ymagis is a leading provider Digital Cinema services in Europe including VPF management, postproduction, DCP & KDM servicing, and digital cinema installation and maintenance.  Ymagis has deployed digital systems in cinemas under VPF representing close to 2,800 screens throughout Europe with both exhibition circuits and art house independents cinemas. Since 2014, Ymagis operates, through its subsidiary Smartjog Ymagis Logistics, the largest e-delivery network for cinema content in Europe, using both satellite capacity and ADSL/fiber lines. Ymagis has also become a software house, providing innovative solutions such as a theatre management system and a full electrical automation system.
GDC Technology Limited is a digital cinema solutions provider. GDC Technology develops, manufactures and sells digital cinema servers, content storage systems, theatre management systems and network operations center software for digital cinema. In addition, GDC Technology is the appointed worldwide certification services agent, with exclusivity in Asia to certify DTS:X immersive sound auditoriums for DTS, Inc. GDC Technology also provides a suite of digital cinema products and services, including integrated projection systems, 3D products, projector lamps and silver screens. GDC Technology’s subsidiary, GDC Digital Cinema Network Limited, manages VPF for approximately 5,000 theater screens and 250 motion picture distributors worldwide. 
Deluxe Technicolor Digital Cinema (DTDC), a joint venture between Deluxe Entertainment Services Group and Technicolor, is the market leading provider of theatrical digital cinema mastering, distribution and key management services for clients worldwide. DTDC combines best-in-class technologies, personnel, work processes and facilities, and is based in Burbank, CA. Deluxe Entertainment Services Group Inc. and Technicolor are global leaders in digital services and technology solutions for media and entertainment.
With over 18,000 systems in the market, Sony Digital Cinema 4K technology lets movie goers experience exceptional picture quality from every seat in the cinema – with spectacular detail, contrast and colour on any size of screen. Sony Digital Cinema 4K projection systems give audiences a more immersive, emotionally engaging visual experience you simply can't get at home – in 2D or with a choice of smooth, easy on the eye 3D solutions. Sony 4K offers four times the resolution of an HD TV or previous-generation 2K digital cinema.  It’s captured the imagination of audiences and industry alike, winning Hollywood’s commitment as underlined by 4K releases from studios such as Paramount, Warner Brothers, 20th Century Fox, and Sony Pictures. It has also won the support of Hollywood heavyweights like Christopher Nolan (“Dark Knight Rises”, “Inception”), David Fincher (“The Girl with a Dragon Tattoo”) and Harald  Zwart (“Karate Kid”), who have all released recent blockbusters in the 4K format.  The only manufacturer currently deploying 4K projection systems in volume, Sony serves many of the world’s biggest and most prestigious cinema chains, as well as small independent screens and art house cinemas.
Dolby Laboratories develops and delivers products and technologies that make the entertainment experience more realistic and immersive. For four decades Dolby has been at the forefront of defining high-quality audio and surround sound in cinema, broadcast, home audio systems, cars, DVDs, headphones, games, televisions, and personal computers. Based in San Francisco with European headquarters in England, the company has entertainment industry liaison offices in New York and Los Angeles, and licensing liaison offices in London, Shanghai, Beijing, Hong Kong, and Tokyo.

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DCinemaToday's Press Release Guidelines

DCinemaToday publishes press releases that we believe are relevant to professionals in the digital cinema market. This market represents the capture, finishing, distribution, and playback of studio-grade content (DCI-level or above) in movie theatres other professional settings.

We avoid press releases about the content itself, upcoming title announcements, or routine business issues unless there is a cinema technology angle. We also avoid releases intended primarily for the financial, broadcast-to-home, or home theatre markets unless we believe they may be relevance to our readers. 

DCinemaToday keeps editorial to a minimum and lets the industry speak for itself through its press releases. Our readers have found the time-tested press release format ideal for quickly communicating in a straight-forward manner the essentials that industry stakeholders need to know.

DCinemaToday is supported by the cinema industry's leading manufacturers and service providers who receive increased visibility with logos, links, and favorable placement.

We request all releases submitted contain the following elements:

  • A headline with a maximum of ~ 20 words
  • An optional sub-headline with a maximum of ~ 20 words
  • Date of release with and optional time of release 
  • Location of release such as city, country, or event 
  • Body text written in the “third person” with first paragraph being an overview or summary

All press releases accepted but be newsworthy and written as “news”.  We will not publish general product literature, marketing brochures, or magazine articles that have been quickly re-purposed into a press release. 

DCinemaToday presents press releases in three different layouts depending on their age and grouping status:  

  1. Main headline only 
  2. Headlines plus a short summary paragraph
  3. The full release  

To optimize their impact, releases should therefore be written in "layers" (much like JPG-2000 encoding) where the headline serves as a low-resolution version, and when coupled with the first paragraph results in a medium-resolution version, and the entire release represents the full-resolution version.

All accepted press releases are published as much as possible in their original version. We avoid making changes unless to correct for simple and obvious grammatical or typographical errors. When necessary, titles are converted to title-case and unnecessary punctuation removed. We occasionally edit over-length or excessively wordy headlines, or break paragraphs to increase readability. User-supplied formatting is removed and press releases are formatted to be consistent with the DCinemaToday layout style.

For the best placement it is important to send press releases promptly.  All press releases are sequenced and made visible by the date and time indicated at the top of the release. If no exact time is specified, releases are sequenced by release date in the order received.   Forward dating of previously issued press releases is not allowed.  If the same (or similar) press release is found on other media, the date/time of the press release on DCinemaToday may be reset and reordered to the earliest found published date and time.

Press release can be submitted in advance under embargo provided the release date, time and time zone are clearly specified.  If the embargo is broken in advance intentionally by an “exclusive” or unintentionally by other media, we may reset the posted release sequence to the earliest published time and date. 

A sponsor position is not required for publication on DCinemaToday.  The same editorial guidelines apply to sponsors and non-sponsors alike.  However, our sponsors do get a range of additional visibility benefits, such as initial placement in the center column, extended with summary and additional links. (Non-sponsored press releases will begin with the headline only in the “More Press Releases” column.)   Sponsors also get their headline bolded as they flow into the “More Press Releases” column with the summary text presented in a mouse-over box.   Plus, the sponsored Full Press Release page will contain the sponsor’s logo and banner ad with a cleaner layout and no competitive advertising.

Please send industry relevant cinema industry news to press@dcinematoday.com

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