Cinema Technology Jul. 01, 2025
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USHIO manufactures the highest-quality digital cinema projection bulbs available.

USHIO xenon short-arc lamps boast a spectrum that is closer to natural sunlight than that of any other artificial light source. In addition to commercializing products for search and spot lights, which demand precise, powerful white beam lamps.

USHIO became the first in the world to develop a xenon short-arc lamp exclusively for large scale, theater-use movie projectors.

Recent News:
Nov 12, 2024 Ushio Announces Appointment of Michael Phipps as New President and Chief Operating Officer at Christie
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Ushio Inc., a trusted leader in light sources and optical equipment for industrial processing, visual imaging, and life sciences, and parent company to Christie®, announced today the appointment of Michael Phipps as president and chief operating officer of Christie Digital Systems, Inc. and its subsidiaries.


Apr 4, 2023 Ushio Appoints Koji Naito as New Chairman and Chief Executive Officer of Christie
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Ushio Inc., a trusted leader in light sources and optical equipment for industrial processing, visual imaging and life sciences, and parent company to Christie®, the leader in audio and visual technologies, today jointly announce the appointment of Koji Naito as the new chairman and CEO of Christie Digital Systems, globally.

Dec 9, 2018 New LUMINITY Series by USHIO Saves the Xenon Heyday Worldwide
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USHIO, one of the largest and most trusted names in the manufacturing of high-pressure xenon lamps today, proudly introduces the LUMINITY series.  LUMINITY is the result of a substantial R&D effort that extends the lifespan of numerous xenon lamps with additional working hours between 100-500 hours.

Aug 11, 2016 Ushio America Announces Partnership with Matex Controls
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Ushio America, Inc. is pleased to announce partnership with Matex Controls, leader in software development for Building Management System. Their unique Virtual Energy Management System (VEMS®) platform, designed specifically for cinema buildings in mind, offers energy savings of more than 25% over time. VEMS presents the new possibilities of their innovative method of saving energy in buildings, especially cinemas.

Featured Cinema Items:
Photo: USHIO Cinema Lamps
USHIO Cinema Lamps

USHIO Cinema Lamps
Photo: USHIO Cinema Lamps
Impress your audience
USHIO lamps offer great performance with an extremely long lifetime. The superior quality in brightness, contrast, color and sharpness on your cinema screen will constantly impress your audience. Our consistent performance and reliability are unmatched. That’s why huge majority of movie theaters around the globe already trust the USHIO products.
More Information:
https://www.ushio.com/products/cinema/



Arts Alliance Media (AAM) is the global leader in digital cinema software and services, offering a wide range of solutions which help exhibitors to reduce costs, increase efficiency, and improve the cinematic experience for their customers.

AAM’s extensive portfolio, including Producer, Screenwriter, Lifeguard, MX4D, and HeyLED, touches over 42,000 screens worldwide, while their network operations centre (NOC) supports several thousand screens.
 
AAM is part of the Luxin-Rio Group, the world’s foremost cinema technologies provider.

Recent News:
Jun 3, 2025 San Sebastián International Film Festival Underscores Arts Alliance Media's Ability to Safeguard Quality and Performance in New Case Study
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Arts Alliance Media (AAM), the global leader in digital cinema software and support services, has been praised for facilitating time-saving content management while safeguarding quality and performance in a newly released case study featuring Lucas Iaccarino of San Sebastián International Film Festival (SSIFF), one of the most prestigious and longest-running film festivals in the world.

May 27, 2025 Arts Alliance Media’s Screenwriter Theatre Management System Selected to Support CineEurope 2025
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Arts Alliance Media (AAM), the global leader in digital cinema software and support services, and Motion Picture MovieWorks (MPM), a leading UK-based cinema technology integrator and official technical coordinator of CineEurope, has announced that AAM’s Screenwriter Theatre Management System (TMS) will manage content and scheduling at CineEurope for an eighth consecutive year.

May 7, 2025 Arts Alliance Media Unveils a Bold New Look to Producer with Dark Mode and Tablet-Ready Interface
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Arts Alliance Media (AAM), global leader in digital cinema software and support services, has officially launched Producer’s most progressive visual update since deployment to reinforce its position as the world's leading Enterprise Theatre Management System (TMS).

Apr 2, 2025 Arts Alliance Media Announces Inaugural Partner Awards, Honouring Cinema West Theatres and Sound Vision Technical
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Arts Alliance Media (AAM), global leader in digital cinema software and support services, is proud to announce the winners of its inaugural client awards. These awards celebrate partners who have not only demonstrated outstanding use of AAM’s technology but who also embody the company’s mission: to empower global cinema exhibition in delivering exceptional moviegoing experiences.

Featured Cinema Items:
Photo: AAM Producer
AAM Producer

AAM Producer
Photo: AAM Producer
Enterprise Theatre Management System
With more control and enhanced visibility, Producer lets you manage content across an entire cinema circuit from anywhere, at any time; all from a single dashboard. From automated playlist creation to real-time content and site monitoring, gain a bird’s-eye view of your cinemas’ operations.
More Information:
http://www.artsalliancemedia.com/product?id=1
Photo: AAM Screenwriter
AAM Screenwriter

AAM Screenwriter
Photo: AAM Screenwriter
Theatre Management System
As the most powerful, widely deployed Theatre Management System (TMS) in the world, Screenwriter offers comprehensive control over your content and screens from one central location in your cinema. Prepare to join a global network of centralised cinemas.
More Information:
http://www.artsalliancemedia.com/product?id=2
Photo: AAM Lifeguard
AAM Lifeguard

AAM Lifeguard
Photo: AAM Lifeguard
Hardware Management System
In a post Virtual Print Fee (VPF) world, Lifeguard gives you the tools to build your own NOC solution, helping to optimise hardware and reduce lost revenue. Now, you can stay on top of your assets with one central application
More Information:
http://www.artsalliancemedia.com/product?id=3
Photo: AAM HeyLED
AAM HeyLED

AAM HeyLED
Photo: AAM HeyLED
Digital LED Cinema Screen Technology
Revealing pure colour, true black, and higher contrast and brightness, the HeyLED Digital LED Cinema Screen presents colour as you’ve never seen it before. Prepare your audiences for the next generation cinema screen.
More Information:
http://www.artsalliancemedia.com/product?id=6



When you choose Barco, you're not just selecting a projector; you're investing in a world-class cinema experience backed by decades of projection heritage and cutting-edge technology.

Our award-winning laser portfolio isn't just extensive; it's a testament to our commitment to excellence. From the AIS Lumiere award for lightsteering to the prestigious AIS Wheatstone award and the consecutive BTOB awards in 2020 and 2021 – our trophy shelf is a reflection of our dedication to pushing the boundaries of innovation.


Recent News:
Jun 18, 2025 Avatar: Fire and Ash
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Today at CineEurope, the official convention of the International Union of Cinemas (UNIC), Disney announced that “Avatar: Fire and Ash” is set for release in the HDR by Barco premium format.

Jun 17, 2025 Barco Unveils HDR by Barco Slate through 2025 and U.S. Expansion Plans
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Barco, the global leader in laser cinema, announced today the HDR by Barco slate through the end of 2025 alongside U.S. rollout plans that will rapidly increase the domestic footprint of the groundbreaking technology. Regal Cinemas, one of the initial exhibition circuits for Barco’s HDR format, is driving the expansion with a commitment for 20 domestic RPX screens by the end of 2025. Moviegoers can also expect additional HDR locations from Texas-based Alamo Drafthouse, which will bring the total number of HDR by Barco enabled theaters to over 30 by the end of 2025.

Jun 12, 2025 Angel Studios Presents SKETCH Feature Film and 2025 Slate in HDR By Barco at CineEurope 2025
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Angel Studios, in partnership with Barco, the global leader in laser cinema, will present an exclusive screening of the upcoming feature film SKETCH in HDR by Barco at this year’s edition of CineEurope.

May 29, 2025 HDR by Barco Sets Expansion Plans for Southern Asia
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Barco, the leader in laser-powered cinema solutions, and Qube Cinema, a global provider of end-to-end digital cinema technology, today announced a multi-year agreement for the deployment of HDR by Barco in premium auditoriums across India, Sri Lanka, and Bangladesh. 

Featured Cinema Items:
Photo: HDR by Barco
HDR by Barco

HDR by Barco
Photo: HDR by Barco
HDR by Barco
Elevate your cinema with unprecedented brightness, profound blacks, and captivating contrast. Harnessing the power of laser projection and a patented approach, HDR by Barco redefines the very essence of cinematic excellence.
More Information:
https://www.barco.com/en/solutions/cinema/hdr-by-barco
Photo: Barco Series 4
Barco Series 4

Barco Series 4
Photo: Barco Series 4
Barco Series 4
We designed Barco Series 4 in collaboration with cinemas for their exact needs. A unified family of next-generation laser projectors. Powering your cinema with a performance and a simplicity you’ve never seen before.
More Information:
https://www.barco.com/en/products/cinema-systems/cinema-projec...
Photo: Laser Light Upgrade
Laser Light Upgrade

Laser Light Upgrade
Photo: Laser Light Upgrade
Laser Light Upgrade
Prepare your projector for tomorrow. Our fully-integrated Laser Light Upgrade can replace and improve the light source in Series 2 models. A sustainable way to bring incredible image quality and crystal-clear cinema to your audience.
More Information:
https://www.barco.com/en/products/cinema-systems/cinema-projec...

Industry Partners



The International Cinema Technology Association is a global network of professionals in the motion picture industry. Members of the ICTA are those companies that manufacture, service and create the equipment that goes into movie theatres. Our members are on the cutting edge of new technologies and have been the driving force in digital, 3D, immersive sound systems, high frame rates and lasers. The ICTA promotes technological advancements in the motion picture industry through educational seminars and programs. The ICTA logo stands for excellence and professionalism and when on a member’s letterhead signifies that the company is reliable, competent and committed.
Recent News:
Apr 23, 2025 ICTA Announces 2025 EMEA Award Winner for Best New Build Cinema of the Year: EMOTION Kino Monheim am Rhein (Germany)
ICTA Logo
The International Cinema Technology Association (ICTA) is proud to announce the first winner of its 2025 ICTA EMEA Awards: EMOTION Kino Monheim am Rhein, Germany, has been named Best New Build Cinema of the Year.

Mar 31, 2025 ICTA, Inter-Society, and The Cinema Foundation Celebrate the Inaugural Cinema Systems Summit
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The Inter-Society, the International Cinema Technology Association (ICTA), and The Cinema Foundation proudly welcome a capacity crowd to the fully booked inaugural Cinema Systems Summit, a groundbreaking event dedicated to the interconnected technologies that drive the modern moviegoing experience.

Jan 7, 2025 ICTA Unveils Winners of the Fourth Annual North America Cinema Awards
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The International Cinema Technology Association (ICTA), the leading global network of motion picture professionals, is thrilled to announce the winners of the Fourth Annual North America Cinema Awards (NACA), presented in partnership with Celluloid Junkie.

Dec 2, 2024 ICTA and CineAsia Announce Cinema XXI as the First-Ever Recipient of their APAC Achievement Award
ICTA Logo
CineAsia 2025 Logo
The International Cinema Technology Association (ICTA) and CineAsia are proud to announce that Cinema XXI, Indonesia’s leading cinema operator, has been selected as the inaugural recipient of the ICTA CineAsia APAC Achievement Award. This prestigious award celebrates outstanding showmanship and excellence in presentation technology within the APAC region.

Shows & Events



ShowEast 2025 is scheduled to be held in Miami from September 15-18th at Loews Miami Beach, features a range of exclusive product presentations and screenings from both Independent and Major Hollywood studios to help you make important programming decisions for the 4th quarter box office.

ShowEast’s International program draws a large contingency of Latin and South American delegates – more than any other convention of its kind.

Recent News:
Oct 17, 2019 Christie’s Jack Kline inducted into the ShowEast Hall of Fame
ShowEast Logo
Jack Kline, current advisor and former Chairman, President and CEO of Christie, today, was inducted into the annual ShowEast Hall of Fame. An honor which pays tribute to a select band of film industry veterans, the inductees are hand-picked by an all-industry executive committee. Kline’s induction ceremony took place at a special gala luncheon held on October 17, the final day of ShowEast 2019.


Oct 10, 2019 Women in Exhibition (WIE) Builds Momentum at ShowEast 2019
ShowEast Logo
Women in Exhibition (WIE) that launched during last month’s mid-western Geneva Convention, where founding members led a panel on women’s leadership, are excited to expand their industry outreach heading into this year’s ShowEast, October 14-17, 2019.    

Oct 26, 2018 CJ 4DPLEX Wins 2018 ShowEast “Innovator of the Year” for ScreenX
ShowEast Logo
CJ 4DPLEX (www.cj4dx.com), the world's leading cinema technology company, announced today that the Film Expo Group has selected the company for the ShowEast “Innovator of the Year.” The organization will present the award and honor Brandon Choi, CEO of CJ 4DPLEX America, as a part of the ShowEast Awards Ceremony on Thursday, October 25 at the Loews Miami Beach Hotel.



CineAsia 2025 has been scheduled for Dec 8-11, 2025 in Bangkok.  

The CineAsia trade show is where cinema exhibition and distribution professional come to do business and network. The convention will also feature product presentations and screenings of major upcoming films, exclusive sponsored events, and seminars relating to current and future trends happening across the industry.  

Recent News:
Dec 2, 2024 ICTA and CineAsia Announce Cinema XXI as the First-Ever Recipient of their APAC Achievement Award
ICTA Logo
CineAsia 2025 Logo
The International Cinema Technology Association (ICTA) and CineAsia are proud to announce that Cinema XXI, Indonesia’s leading cinema operator, has been selected as the inaugural recipient of the ICTA CineAsia APAC Achievement Award. This prestigious award celebrates outstanding showmanship and excellence in presentation technology within the APAC region.

Nov 2, 2020 Film Expo Group and Presenting Sponsor, Cinionic, Announce the 2020 CineAsia On-Line Schedule of Events
Barco Logo
CineAsia 2025 Logo
The Film Expo Group and presenting sponsor Cinionic, the Barco, CGS, and ALPD cinema joint venture, are pleased to announce the 2020 CineAsia Conference & Trade Show Schedule of Events. In consideration of COVID-19, this year’s convention is entirely online, running November 4 & 5, 2020.

Feb 6, 2020 Cineasia Reclaims Bangkok as Site for Cineasia 2020
CineAsia 2025 Logo
The Film Expo Group is pleased to officially announce that CineAsia is relocating to Bangkok, Thailand from 7-10, December, 2020. The venue will be the Royal Paragon Halls at the Siam Paragon Mall with screenings and presentations at the Paragon Cinema.

Jul 24, 2019 Dinh Thi Thanh Huong to Receive Distributor of the Year at CineAsia 2019
CineAsia 2025 Logo
Dinh Thi Thanh Huong, Vice Chairwoman of Galaxy Media and Entertainment JSC will receive the “Distributor of the Year” Award at the CineAsia Awards Ceremony on Thursday, 12 December 2019 at the Grand Hyatt in Hong Kong.



CineEurope 2025, has been scheduled for June 16-19, 2025 in Barcelona. 

CineEurope promises to bring you another year with the very best in exclusive studio screenings and product presentations, cinematic technologies and innovations and educational seminars to keep your business on top of industry trends.

Recent News:
Jun 16, 2025 Celebrating European Cinema at CineEurope 2025
CineEurope 2025 Logo
Phil Clapp and Laura Houlgatte, President and CEO respectively of UNIC – the International Union of Cinemas – have welcomed delegates at the opening ceremony of this year’s CineEurope.

May 28, 2025 Leonine Studios to Receive European Distributor of the Year Award at CineEurope 2025
CineEurope 2025 Logo
LEONINE Studios have been named as the recipient of the CineEurope 2025 “European Distributor of the Year Award”, to be presented during the CineEurope Awards Ceremony on Thursday 19 June at the Centre Convencions Internacional Barcelona (CCIB) in Barcelona, Spain.

Apr 17, 2025 Kinopolis to Receive Milestone Award at CineEurope 2025
CineEurope 2025 Logo
KINOPOLIS Management Multiplex GmbH has been named as the recipient of the CineEurope 2025 “Milestone Award”, recognising its enduring legacy and transformative impact on German and European cinema exhibition. The award will be presented to Dr. Gregory Theile, Managing Partner of Kinopolis, during the CineEurope Awards Ceremony on Thursday 19 June at the Centre Convencions Internacional Barcelona (CCIB) in Barcelona, Spain.

May 6, 2024 Kinepolis to Receive 2024 Milestone Award
CineEurope 2025 Logo
KINEPOLIS Group NV, the Belgian company operating 109 cinemas and 1,131 screens worldwide, has been named as the 2024 recipient of the CineEurope Milestone Award, given in recognition of its outstanding accomplishments within European cinema exhibition. The Award will be presented as part of the CineEurope Awards Ceremony on Thursday 20 June at the Centre Convencions Internacional Barcelona (CCIB) in Barcelona, Spain.


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Los Angeles—Sep 5, 2003

ASC And DCI Creating Digital Cinema Test Film

The American Society of Cinematographers (ASC) and Digital Cinema Initiatives (DCI) have taken an important  step towards producing  standardized test material for evaluating the performance of digital projectors and other elements of digital cinema systems. The test is being produced under the auspices of the ASC Technology Committee in partnership with DCI, which represents seven Hollywood film studios.

“Our purpose is to help assure that standards recommended for digital cinema enhance the movie-going experience and maintain the integrity of the art form,” says Curtis Clark, ASC, who chairs the organization’s Technology Committee. “The test material we are producing will provide a standard way to evaluate the capabilities of digital projectors and compare them to film.   

“DCI is excited about working with ASC and it’s Technology Committee on this project that will enable us to perform various testing using standardized evaluation material to generate consistent and objective results,” noted Walt Ordway, DCI’s Chief Technology Officer. “We are also pleased to make this test material available to other companies and organizations for use in their various testing programs.” 

Clark says that members of DCI and the ASC Technology Committee had an in-depth dialogue before reaching a consensus regarding the original footage needed to adequately “stress test” digital projectors for technical performance and also to compare the emotional impact of digital and 35 mm film. The film sequences they produced will be used as a standard test for evaluating current and future digital projectors. 

Members of the ASC Technology Committee agreed on parameters for the test, including nuances in colors, contrast, textures and camera movement.  

Dante Spinotti, ASC, AIC, who designed the shooting script, says it was a team effort, including Ron Garcia, ASC, Daryn Okada, ASC, Clark, other cinematographers, and associate members of the organization who work in various sectors of the industry.  

“I had an idea for a wedding scene that takes place in a 1950s Italian village,” Spinotti says. “The bride is dressed in white, the groom in black with different colors in other costumes and backgrounds. The bride and groom and their wedding party come out of a church, walk down a street, around a corner and arrive at a crowded dinner table in the middle of a village square. We planned to film the master shot at least six times in different situations, from dawn to magic hour and also in the rain.” 

Spinotti says that the scene contains powerful emotional content, and it also includes various challenging situations. He explains that when film images are converted to digital format the files are “compressed” for efficient distribution and handling in digital projection booths. Aggressive camera movement during production can create artifacts if the film isn’t properly scanned and projected. The test was designed to shoot with multiple cameras in Super 35 and anamorphic formats, with selected 65 mm shots. 

“Up until now, projector manufacturers have selected scenes from existing films to demonstrate products,” says Okada. “There was no way of telling whether the source material was negative, interpositive or internegative film, and that makes a big difference. We believe the same source material should be used for all demonstrations and for side-by-side comparisons. Our plan was to scan the negative at 4K now and at higher resolutions in the future, presuming that continuing advances are made in projectors.” 

The test was filmed on August 26 and 27 in the European Village on the Universal Studios backlot. Peter James, ASC, ACS was the executive producer and Allen Daviau, ASC was cinematographer. Daviau assembled an experienced crew, including cinematographers Roy Wagner, ASC, Michael Negrin, ASC and Peter Anderson, ASC. The A and B cameras were used to record images in Super 35 format, and the C camera carried anamorphic lenses. Anderson operated the 65 mm camera.   

One of the 35 mm cameras was on a Technocrane with a 30-foot long telescoping arm, and the others generally tracked on dollies. Daviau created contrast to visually punctuate dramatic moments, and he used color gels to make the light warmer in some shots and cooler in others staged at different times of day and with varying emotional overtones. Daviau also used smoke to diffuse light in one shot, and rain in another.  

“We are talking about making a fundamental change in how audiences will experience motion pictures in the future,” he says. “It is important to set the standards for digital projection high enough so it properly serves the art form. We don’t want to look back someday and regret that we didn’t aim high enough or take the time to do it right.” 

Clark says that ASC and DCI are currently planning the next step, including culling appropriate short scenes from nearly two hours of original footage. Those scenes will be scanned and converted to digital files that will be used to master the standard materials designed to test the performance of digital projectors compared to film. 

“I’m extremely pleased at the results of the ASC DCI shoot at this time.  The cinematographers exceeded all expectations in the capturing of these images on film.  I’m looking forward to a highly technical post-production process where we intend to push the boundaries of digital image processing,” said Howard Lukk, DCI’s Director of Technology.   

“This has been an exhilarating experience,” Clark says. “The people who we are working with at DCI are passionate about their mission and determined to do it right. Many ASC members are participating, giving freely of their time and talent. We have had tremendous support from other people and companies. We still have a lot of work to do, but we have already made tremendous progress. I’m optimistic about the future.”  

Digital Cinema Initiatives, LLC (DCI) was created in March, 2002, as a joint venture of Disney, Fox, MGM, Paramount, Sony Pictures Entertainment, Universal and Warner Bros. Studios. DCI’s primary purpose is to establish and document specifications for an open architecture for digital cinema that ensures a uniform and high level of technical performance, reliability and quality control. DCI will also facilitate the development of business plans and strategies to help spur deployment of digital cinema systems in movie theatres. 

The ASC Technology Committee was formed earlier this year. It consists of some 50 cinematographers and technology thought leaders from all sectors of the industry. Clark says the goal is to create an open forum “where some of the best minds in the industry” can exchange ideas about the evolution of film, digital and hybrid technologies for the purpose of recommending standards and practice that enhance the art form. 

ASC was founded in 1919 for the main purpose of advancing the art of narrative filmmaking. There are some 215 cinematographers and visual effects artists in the organization today and another 135 associate members who work in allied sectors of the industry.



About Digital Cinema Initiatives, LLC: Digital Cinema Initiatives, LLC (DCI) was created in March 2002, and is a joint venture of Disney, Fox, Paramount, Sony Pictures, Universal and Warner Bros. The primary purpose of DCI is to establish and document specifications for an open architecture for digital cinema that ensures a uniform and high level of technical performance, interoperability, reliability and quality. See www.dcimovies.com for more information. Digital Cinema Initiatives, LLC Directory page
About The American Society of Cinematographers (ASC): The American Society of Cinematographers (ASC) is a nonprofit organization dedicated to advancing the art of filmmaking. Since its charter in 1919, the ASC has been committed to educating aspiring filmmakers and others about the art and craft of cinematography. The American Society of Cinematographers (ASC) Directory page

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